“Working on this new version has been a great continuity of this collaboration which feels so right, and sounds so right,” says Stephen O’Malley. It’s an integral part of my tone and it holds an important place in my pedal chain.” The result combines different distortions and achieves different shades of saturation that we were actually doing in the studio,” says Greg Anderson. “We set out to create something that was unique and had its own distinct character to it. The results are astounding: there is breadth and luminosity of colour, vast sonic cosmoses, flashes of abstract colour (synthetic and objective) through resulting themes which emerged from the mastered depths of saturation and circuits between the two players and their mountains of gear. In the writing sessions for Life Metal, Stephen & Greg worked extensively shearing their tones toward a broader energy spectrum over high powered saturation and across planes of sonic character, with the ambition to take full advantage of recording engineer Steve Albini’s exacting capture skills. We are so excited to give this special pedal a permanent place in our line.” Sunn O))) is such an iconic band and I’m thrilled to be part of their legacy.”ĮarthQuaker CEO Julie Robbins agrees.“It has been an honor and privilege to collaborate with Greg and Stephen on the SUNN O))) Life Pedal. “We put in a lot of hours dialing this one in and I’m very proud of the final product. “I’m super stoked to have this pedal back in our line!” says EarthQuaker founder, president and designer Jamie Stillman. The octave section has been fine tuned to make it more pronounced without losing the bottom end and we added a third footswitch, utilizing Flexi-Switch Technology®, for the octave to allow an additional method of quick and radical tone shaping. The Sunn O))) Life Pedal circuit has been meticulously tweaked from the original to squeeze every last drop of heavy crushing tone available. Grab one of these pedals and enjoy the extra 48 notes.Sunn O))) are pleased to present an enhanced version of the Sunn O))) Life Pedal Octave Distortion + Booster, in collaboration with their comrades at EarthQuaker Devices. An octave device can be used to alter the sound of pure guitar noise in interesting ways. But rather than emulate other instruments, you may want to use octaves to go where no guitarist has ventured before.įor example, the attack delay function of POG2 combined with just the guitar’s primary signal is how Kurt Rosenwinkel creates his unique tone. Some pedals allow you to attach an expression pedal to smoothly slide from one octave to another, creating glide or portamento effects.įrom the beginning, distortion was favored by some guitarists for its ability to capture the sustain and timbre of a horn and others as a source of exploring altogether new avenues of sound. Adding more distortion to the octaves moves into synthesizer territory.īy using volume swells and hand damping you can mimic the Attack, Decay, Sustain, Release (ADST) functions found in most synthesizers. Experimenting with the proportions of each octave versus the primary signal can summon up a wealth of tones from B-3 to church.Īping acoustic instruments is all well and good, but as electronic guitarists we may want to create more modern sounds. POG2 controls the level of each octave with sliders that work much like the drawbars of an organ. Throw on a Leslie simulation as well and you can easily fool the ear. Here too, adding a little drive might help. Adding upper and lower octaves simultaneously to your original sound will conjure up an organ.
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